Final Image
Below is the final icon we will be working towards. Want access to the full Vector Source files and downloadable copies of every tutorial, including this one? Join Vector Plus for just 9$ a month.
Video Tutorial
Our editor Sean Hodge has created this video tutorial to compliment this text + image tutorial.
Step 1
Create a new document and use the Ellipse Tool (L) to create a 280 px by 280 px ellipse.
Step 2
From the Gradient panel, fill the ellipse with a Linear Gradient with no stroke. Change the first Color Stop in the gradient to a gray color and the second Color Stop to a dark gray color. With the Gradient Tool (G), click at the top of the ellipse and drag towards the bottom, making the gray color at the top of the ellipse.
Step 3
Select your ellipse and choose Object > Path > Offset, and in the Offset dialog, change the Offset to -5 px.
Step 4
Select the offset ellipse and add a four Color Stops to the linear gradient in the Gradient panel. To do this, click in-between the two Color Stops, right below the Gradient Slider. Change the first Color Stop to white, the second to a light gray, the third to a dark gray, the fourth to a gray, and the last to a dark gray that is lighter that the third dark gray.
Step 5
With the four Color Stop ellipse still selected, choose Object > Path > Offset and in the Offset dialog, change the Offset to -15 px.
Step 6
Fill the new ellipse with a two Color Stop linear gradient with the first stop white, and the second gray.
Step 7
Select the latest ellipse and choose Object > Path > Offset and in the Offset dialog, change the Offset to -5 px. Change the first Color Stop in the gradient to a dark gray and the second to an even darker gray.
Step 8
Again, select the latest ellipse and choose Object > Path > Offset and in the Offset dialog, change the Offset to -5 px. Change the fill to a Radial Gradient from the gradient panel, and make the first Color Stop white and the second stop a gray color. Next, in the Location field in the Gradient panel, change the value to 87%.
Step 9
With the Line Segment Tool, create a 15 px tall line in the middle and towards the top of the last offset ellipse. From the Stroke panel, click the Round Cap icon to make the ends of the line round. With the Selection Tool (V), hold down Shift + Alt, and drag down a copy of the line to the bottom half of the ellipse. Select both lines and Group them (Command + G).
Step 10
Select the grouped lines and choose Effect > Distort & Transform > Transform, to bring up the Transform Effect dialog. In the dialog change the number of Copies to 5, change the Rotate Angle to 30 and press OK. Next, chose Object > Expand Appearance.
Step 11
First, change the lines Stroke color to a light gray and then chose Object > UnGroup (Command + Shift + G). Next, select the top-middle line (it will also select the bottom-middle line) and the left-middle line (it will also select the right-middle line) and delete them.
Step 12
With the Text Tool, create four separate text boxes with the numbers 12, 3, 6, 9 and place them in their respective spots on the clock where the lines used to be. I used Myriad Pro Black for my font, but you can use whatever font you want.
Step 13
Select the smallest ellipse from a couple of steps and choose Object > Path > Offset and in the Offset dialog, change the Offset to -105 px.
Step 14
At this point, I like to turn on the Smart Guides by choosing View > Smart Guides. With Smart Guides on, it is easier to draw lines for the clock hands that start at the center on the latest offset ellipse. Once the Smart Guides are turned on, draw the first clock hand starting at the center of the smallest ellipse. Next, change the stroke Weight to 7 pt and press the Round Cap icon in the Stroke panel. With the line still selected, send it behind the small ellipse by choosing Object > Arrange > Send Backward.
Step 15
Draw another line that is shorter than the minute hand, making an hour hand. Change the Stroke weight to 12 pt and change the stroke color to a gray color. Next, send it behind the small ellipse by choosing Object > Arrange > Send Backward.
Step 16
Create one more line, but this time make the stroke color red, change the stroke weight to 3 pt and make the anchor point closest to the small ellipse, and have it stick out a little bit. Send the new line behind both the previous line and the small ellipse.
Step 17
Select all three lines, Copy (Command + C) and Paste in Front (Command + B). With the copied lines still selected, go to Object > Path > Outline Stroke. Next with your arrow keys, move the outlined copies down and change the color to a light gray - creating a simple drop shadow.
Step 18
Select the white ellipse in the clock, Copy (Command + C), and Paste in Front (Command + F). Next, draw an oblong ellipse over the whole clock and place the bottom part of the new ellipse in the center of the clock. Select the oblong ellipse and the copied white ellipse and press the Minus Front button in the Pathfinder panel.
Step 19
Change the fill of the new shape to a linear gradient from the Gradient panel and adjust the gradient from bottom to top. Next, set the shape to Multiply from the Transparency panel.
Step 20
Now that the clock is done, we can look at the balls the clock stands on. First create an ellipse that is 55 px by 55 px. Fill the ellipse with a radial gradient. Add two Color Stops to the radial gradient making a total of four Color Stop. Change the first stop to white, the second to gray, the third to a darker gray, and the fourth to the same gray color as the second one. With the Gradient Tool, click close to the top-left side of the ellipse and drag down at a 45 degree angle.
Step 21
Place the new ellipse so it aligns with the left and bottom sides of the clock. Next choose Option > Arrange > Send to Back (Command + Shift + Left Bracket key), to place the ellipse behind the clock.
Step 22
Select the small ellipse and Copy (Command + C) and Paste in Front (Command + F). Next, select the largest ellipse in the clock, hold down Shift + Alt, and drag a copy slightly down and to the left. Select both copies and press the Intersect button in the Pathfinder panel. Fill the new shape with a gray color and set it to Multiply from the Transparency panel. Choose Object > Arrange > Send to Back (Command + Shift + Left Bracket key) and then chose Option > Arrange Send Forward, to place the shadow shape behind all the clock shapes, but in front of the small ellipse.
Step 23
Select the small ball and shadow, Copy (Command + C) and Paste in Front (Command + F). Next, go to Object > Transform > Reflect and choose Vertical from the Reflect dialog. Move the copy over to the right side of the clock.
Step 24
With the Rectangle Tool (M), create a rectangle that is 10 px wide by 50 px tall. Fill the rectangle with a four Color Stop linear gradient with the first stop a light gray, the second a gray color, the third a dark gray, and the fourth, the same gray as the second.
Step 25
Create another rectangle over the top of the first one that is 15 px wide by 20 px tall. Next, go Effect > Stylize > Round Corners and in the Round Corners dialog, change the Radius to 10 px. Fill it with the same four Color Stop gradient as the previous rectangle, and adjust the gradient with the Gradient Tool from top to bottom.
Step 26
Place the second rectangle over the top-middle part of the first rectangle. Select both rectangles and place them over the top-middle part of the clock. With the two rectangles still selected, choose Object > Arrange > Send to Back (Command + Shift + Left Bracket key).
Step 27
Create a rectangle that is 110 px wide by 80 px tall. Next, go to Effect > Stylize > Round Corners and change the Radius to 30 px. Expand the appearance of the rectangle by going to Object > Expand Appearance. Create another rectangle over the current one, a little over halfway down the current one. Select both rectangles and press the Minus Front icon from the Pathfinder panel. Fill the new shape with the same linear gradient as the previous rectangles and adjust the gradient from top to bottom.
Step 28
Copy (Command + C) the new bell shape and Paste in Front (Command + F). With the Selection Tool (V), squish the copy horizontally smaller than the original shape. Leave more room on the right side of the bell as the left to get some variance in width. Copy (Command + C) the squished bell shape, Paste in Front (Command + F), and squish this copy the same as you did the previous shape. Select both shapes and press the Minus Front button in the Pathfinder panel. Change the fill of the new shape to white and change the Opacity to 15% from the Transparency panel.
Step 29
Select the main bell shape and again, Copy (Command + C) and Paste in Front (Command + F). Squish the new copy down horizontal to about one sixteenth the original size. Fill it with a light gray and set it to Multiply from the Transparency panel.
Step 30
Create an ellipse that is 20 px by 20 px, fill it with the same gradient as the bell shape, and adjust the gradient from top to bottom. Next, Place the ellipse behind the top-middle part of the bell shape.
Step 31
Create a rectangle that is 8 px wide by 45 px tall, fill it with the same linear gradient as the previous steps, adjust the gradient, and place it behind the bottom middle part of the bell shape.
Step 32
Select all the bell shapes and rotate 30 degree from the Transform panel. Next place the bell shapes behind the clock towards the top-left side.
Step 33
Copy (Command + C) the bell shapes, Paste in Front (Command + F), chose Object > Transform > Reflect, and chose Vertical from the Reflect dialog. Move the copied shape to the opposite side of the clock.
Step 34
Almost done, but let's add some finishing touches. Create an ellipse that is 200 px by 200 px. Fill the ellipse with a radial gradient with the first Color Stop a dark gray and the second stop white. Set the ellipse to Multiply from the Transparency panel. Next, squish the ellipse vertically to half it's original size and place below the alarm clock creating a drop shadow.
Step 35
Copy (Command + C) the drop shadow and Paste in Front (Command + F). Scale down the copy and place it under the small ball on the left. Repeat this again for a drop shadow on the right.
Step 36
Create a rectangle the size of your document, fill it with a radial gradient with the first Color Stop white and the second a light gray. All Done!
Final Image
That was easy wasn't it? By just using some basic shapes and gradients, it is easy to create great icons. Below is the final image again.
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